It's always a good time participating in the TBD Fest Poster Series. I'm always glad to be a part of a group that represents so much Sacramento design talent. This year I got to do a poster for Ratatat. I've been doing a ton of digital work lately so I stepped away from the computer for this one. I don't want to get too much into the boring details, but some of my process is below, plus the finished poster. Click the Soundcloud link to hear the song that inspired the concept. If you're interested in reading more, there is an interview page featuring yours truly here.
I recently discovered this really nice personal project by Richard Chavez. I love custom type combined with music, and these are so well executed that I would actually prefer some of these to the actual album art for these records. I think the Kanye one is perfect — so much energy and chaos to "visually describe" the album using type instead of obscene imagery. Take a look at all of them; they are great! Really makes me want to do something like this.
A lot of work and late nights went into this to get it where I wanted it, but in the end it was all worth it! The process was somewhat lengthy and strenuous, especially initial research for inspiration and image collection. However, other aspects that usually take me longer (such as the custom lettering) happened a lot faster and smoother than I expected. The type itself only went through minor revisions from the original sketch, as you can see below. The only other part of the process that was difficult was color choice. I didn't document the color selection process here, but this poster went through somewhere around 25 color revisions. The darker palette in the final version really seemed to reinforce what I was trying to do with the collage imagery without being too "girly" (I really felt the lettering was girly enough, so I veered away from pinks, reds, and purples). Highlights were applied last, which I think really pulled everything together, remixing the vintage hand drawn illustration with a digital element. Juxtaposition folks!
I recently had the opportunity to do a series of screenprints for a gallery exhibition here in Sacramento. I themed all of my prints around California, pulling historical references from early explorations of the state. Many of my type choices were pulled from forms and styles from the days of the Gold Rush, when settlers moved west with hopes of pursuing their dreams and opportunities that the land held. Various names of the state throughout the years were researched, but "Golden State" seemed to stick for the largest of my 7 prints (16x20"). I love California and have lived here all my life. My goal was that the series would be a celebration of all that California has to offer — including the real "gold" that is found in it's climate, diverse landscape, and culture. Super fun project to work on and definitely something that I want to continue to expand on.
Below is my process for one of the pieces in the series. The show will be up at Bows & Arrows in Sacramento for the month of May and features screenprinted work from 3 other graphic designers.
Setting up screens to print. This is usually the longest part of the process outside of design and initial research.
I recently enrolled in a class with Joel Felix and Hans Bennewitz on Skillshare called "Lettering: Learn to Draw Illustrative words." The main class project was to pick a phrase that you like and engage in the design process to come up with a unique lettering treatment of your phrase. I decided to represent California with high hopes that I will be able to use it for a gallery exhibition that is happening with Interval Press this Summer. Check out some of my process below. This one evolved quite a bit as I took into consideration feedback from friends, other students, and the instructor of the course. I always love looking back in hindsight and seeing how much a project changed. I struggled with it until that moment came where the letters "came alive" and really felt like they were right.